Archive for the ‘Fashion’ Category

graniph t-shirts featuring images by Sam Haskins

Friday, April 27th, 2012

graniph x Sam Haskins

graniph are Japan’s leading design t-shirt store and web site. Today, for the first time, they are launching seven designs featuring a selection of classic Sam Haskins images. A unique combination of Sam’s groundbreaking 60s photography, the latest digital fabric printing and affordable prices. ¥2,500 each (roughly: US$31:00, €23:00, £19.00) Free delivery worldwide with four t-shirts or more. In-store buyers get a discount for buying two designs from the same range. Beautiful and accessible – these are good enough to frame as art!

http://www.graniph.com/en/contents/samhaskins/ English language site

The press release for this project can be downloaded here in Japanese or in English.

graniph x Sam Haskins

サム・ハスキンスの名作が初めてTシャツに!

日本のトップデザインTシャツストア、graniphがきょう、サムの名作を7つの新しいTシャツデザインとして発売。サムの画期的な60年代の写真作品が、最新のデジタル布プリント技術によって手頃な価格のTシャツになりました。

一枚¥2,500(およそ US$31.00, €23.00, £19.00)

Tシャツ4枚以上お買い上げの場合、世界どこでも郵送料無料。店頭で、同じデザインシリーズから2枚以上お買い上げのお客さまには割り引きがあります。

美しいアート作品として額に入れて飾りたいようなTシャツが、手軽なお値段で!

http://www.graniph.com

http://ja.wikipedia.org/wiki/サム・ハスキンス

このプロジェクトのプレスリリースは、日本語または英語でここからダウンロードできます。

November Girl with Birds T by Sam Haskins

Graniph x Sam Haskins illo 03 crop

Graniph x Sam Haskins illo 05 crop

Graniph x Sam Haskins illo 01 crop

Sam and Figgins by Sam Haskins 1961

Graniph x Sam Haskins img 01

Graniph x Sam Haskins img 03

Graniph x Sam Haskins img 04

Graniph x Sam Haskins img 05

Graniph x Sam Haskins img 06

Graniph x Sam Haskins img 07

Marc Jacobs draws inspiration from Sam Haskins’ for the FW 2012 show?

Wednesday, February 15th, 2012

It is simply a fact that Sam’s seminal books from the 60′s; Five Girls, Cowboy Kate and November Girl are a constant source of inspiration to the fashion and glamour world. Not just other photographers but fashion designers, pop singers, cinematographers, make-up artists, illustrators and frequently graphic designers and painters keep gravitating back to the elusive resonance of those images.

Vivi Monster HatMonster Hat from ‘Cowboy Kate and Other Stories’ by Sam Haskins

Of course I cannot prove it – in the absence of a credit from Mr Jacobs – but it looks very much as though the Marc Jacobs Fall Winter 2012 collection presented in New York this week drew inspiration from the other famous hat featured in Sam’s work from the sixties, the ‘Big Hat’ from ‘Other Stories’ in ‘Cowboy Kate & Other Stories’ (1964).

Marc Jabobs does Sam s big hat 02Mark Jacobs giant hats AW2012 NY

Marc Jabobs does Sam s big hat
Mark Jacobs giant hats AW2012 NY

For the record I really love these hats and the clothes – absolutely beautiful

Of course Mr Jacobs would be different! Last year it seemed as though the whole fashion world rediscovered Cowboy Kate’s big floppy black hat. It started with the Tommy Hilfiger collection and spread like wildfire. The cover of Cowboy Kate is one of the most referenced images in fashion photography but last year the fashion designers took it to a new level and went mad for the black floppy hat that epitomised the sixties and tapped into the essence of Kate. But for Jacobs it wasn’t mad enough. It looks to me as though he spotted the brilliant caprice of the big hat in the field and turned it into the most talked about accessory at Fashion Week (FW2012 NY). This, very nearly 50 years after the photograph was taken next to Sam and Alida’s home in South Africa.

The hat icons from Cowboy Kate are not the only big hats from Sam’s work. The shot below is from the 70s when Sam had a studio just off the King’s Road in London. See the end of this post for the big hat from Five Girls.

Lindy Big Hat by Sam Haskins
Sam Haskins 70s

Marc Jabobs does Sam s big hat 09
Mark Jacobs giant hats AW2012 NY

Marc Jabobs does Sam s big hat 08
Mark Jacobs giant hats AW2012 NY

Below are examples, over the years, of influence drawn from the more famous Cowboy Kate hat – the wonderful black suede hat on the cover of Cowboy Kate. Rather than Kate having had her time in the sixties – Sam’s work is growing in stature and importance with each passing year. Successive generations of photographers hunting for the elusive definitive contemporary ‘face’ keep returning to the unique mix of liberation and style – not to mention cutting edge photography – that Sam crafted into his sequence of books while working in the obscurity of a downtown industrial building in Johannesburg during the sixties.

Kate Kate Cover by Sam Haskins
Cover shot from ‘Cowboy Kate & Other Stories’ by Sam Haskins

While his two main heroes, Richard Avedon and Irving Penn are more elevated by the art establishment, it is important to note that Sam’s work is more heavily referenced by photographers living and working today than either of his heroes.

Sam Haskins influence David Bailey 1965 i1
David Bailey (1965)

Madonna movie 01 frame 04
Madonna by Tom Munro – see the January 2009 entry of this blog for Sam’s thoughts about theft vs influence. To understand just how in love Madonna is with Cowboy Kate have a look at this video.

Madonna UK Elle CoverMadonna as Cowboy Kate by Tom Munro

Rankin does Kate 01
Rankin, one of the gracious few, has gone on record citing Sam as an influence

Sam Haskins Kate rip off 1965
God knows why Playboy produced this cover – a year after Cowboy Kate was published – when they could have had Sam shoot for them?

Talking of heroes and influence. It is interesting to note that Penn’s image of Picasso with the hat casting a shadow over one eye predated Sam’s work on Cowboy Kate – by about 6 years!

PICASSO CANNES 1957 Irving PennIrving Penn portrait of Picasso, 1957

And so it goes on, we all stand on the shoulders of giants. All of us!

And to prove the point here is another mad hat inspiration this time from Marcel Marceau referenced by Sam in ‘Five Girls’ (1962)

Shirly Beljon Dead Flower hat 3
Shirley from Five Girls by Sam Haskins

Marcel Marceau 01
Marcel Marceau

As an amusing footnote to this post – I thought it’s worth mentioning the origins of the hats in Cowboy Kate. Although on a smaller scale than America, South Africa benefitted from skilled German emigration in the 30s & 40s. The suede hat on the cover of Kate came from such a family, the Armbrecht’s as did the suede slacks featured in Kate. The ‘big hat’ however was produced by the most junior member of Sam’s studio staff, a teenage typist/receptionist, who designed and produced the hat without prompting. She presented her bold capricious creation to Sam who instantly organised a shoot to honour the home grown prop. I hope that she is still alive to read this post.

+++++

Update: February 19th 2012

In reviewing the blog post that follows the above news driven story I revisited the work of Jean-Loup Sieff and feel that he should also get a credit for possibly influencing Marc Jacobs Feb 2012 show in NY.

The gorgeous fur!? and the oversize forms!? – see the following delicious shots from the French master photographer, Sieff.

These images give me the opportunity to draw attention – quite apart from the possible influence on Mr Jacobs – to three critical factors that contribute to the joy and mastery of these Sieff photographs. A. They are self styled. This is from an era when photographers or members of their immediate staff played a key independent creatively role in fashion styling. In other words magazine appointed stylists had not yet moved into the positions of immense power that they hold today. B. These images combined high style and fun! Remember fun? C. They celebrate the control and beauty of sculpted studio lighting. This was an era when photographers had their own studios – instead of barrelling through rented spaces, in-and-out in a few hours. They had time, and they used it wisely.

Jean Loup Sieff Big Hat 01 460Jean-Loup Sieff

Jean Loup Sieff Big Hat 02 460Jean-Loup Sieff

Cowboy Kate celebrates New York Fashion Week with Amex

Saturday, February 11th, 2012

The American Express VIP hospitality lounge at Milk Studios has a fashion themed edit of Cowboy Kate prints on display for Fashion Week NY February 2012.

Kate Pout by Sam Haskins 462

Kate Dressing by Sam Haskins 462

Kate s Desk by Sam Haskins 462

Kate Dressing Mirror by Sam Haskins 462

Press and print collectors should contact Song Chong schong@milkstudios.com

Sam’s Last Shoot – For Harper’s Bazaar – Sydney December 2006

Saturday, July 9th, 2011

The last time Sam stood behind a camera (in a professional capacity) was December 2006 in Sydney for Harper’s Bazaar Australia’s Spring 2007 10th anniversary issue. It was less than a month after his 80th’s birthday. After this he launched into the ‘Fashion Etcetera’ project which launched in 2009.

Apart from anything else this shoot was also a master class in lighting. Fortunately there was a young Australian assistant there who realised what he was witnessing. Christopher Ireland mentioned the shoot on his Facebook wall last week.

I had worked at the time with numerous international fashion photographers. Sam was by far the best – I was transfixed by his talent. It was a life changing moment and I often cite this moment when people ask me where I get my enthusiasm and passion.

Christopher Ireland

*Sam was 80 not 82 on that shoot and it was 4 years ago.

Of course Sam was unhappy with the results. But the work speaks for itself. It was also the one and only time he worked with a digital camera on a professional shoot and he loved it.

Sam Haskins for Harpers Bazaar 2007 H

Sam Haskins for Harpers Bazaar 2007 E

Sam Haskins for Harpers Bazaar 2007 A

Sam Haskins for Harpers Bazaar 2007 B

Sam Haskins for Harpers Bazaar 2007 C

Sam Haskins for Harpers Bazaar 2007 D

Sam Haskins for Harpers Bazaar 2007 F

Sam Haskins for Harpers Bazaar 2007 G

Sam Haskins for Harpers Bazaar 2007 I

[Ludwig]